I think you’re going to like this picture… Since video first appeared there was no question that film was vastly superior. When video moved into newsrooms with the first big RCA cameras, conventional cameramen who had spent their lives shooting in film where aghast.  The quality was indeed terrible.  There was no comparison when it came to quality- tape was just faster and cheaper. But video technology continues to expand. A few years ago, 35mm camera makers like Nikon and Canon began

Pay attention.. this is important stuff.. no, really. Pay attention.. hey you, wake up! So the New York Times has launched TimesCast, its daily ‘live from the newsroom’ webcast. Well, this is only about two years behind The Newark Star Ledger’s Ledger Live, with Brian Donohue. The New York Times is not exactly breaking new ground here. In fact, they are late to the party. Really late. And compared to the eminently watchable, entertaining and informative Ledger Live, it is also a poor

HANA KA HOE   (THE PADDLE MAKER) from PF BENTLEY on Vimeo.   Here's how you start a business. You get an idea. Then you go to some smart rich guys. Nick Nicholas was a smart rich guy. He was then the Chairman and CEO of Time/Warner. You don't get much smarter or richer than that. I got a meeting with him and explained an idea I had -give great journalists small video cameras and teach them to shoot and cut. This was 1990. 20 year ago. Nicholas listened, and to my delight and astonishment, he reached into his desk, took out a checkbook and wrote me a check for $100,000.“Let's get started" he said. The next thing he did was send me to meet a few of the  top photographers at Time Magazine. PF Bentley was one of them. Nicholas understood that the notion of professional photographer at a place like Time Magazine was drawing to a close. He wanted to see if I could transit their skills and experience into video. The video part was easy. Finding a niche for them in a world in which everyone has a video camera and going to Cambodia is no longer so unusual was harder. Now, it's time for the historical analogy. The French Revolution in 1798 was also a period when an entire economic structure got burned to the ground. It was particularly bad for the nobility, who used to represent about 95% of the wealth of France while constituting only 5% of the population.  They lost their heads -and their massive agricultural estates. But it was also bad for the people who used to work for them.  They also lost their jobs and their homes. One class of people who were really in trouble were the people who used to run the kitchens for the nobility. If you were a noble living in Versailles at the time of Louis XIV, it was party, party, party all the time. And the meals were sumptuous.  Incredible, really. Eating in France was akin to watching the superbowl in Ohio. The Revolution meant that the vast staffs of these massive dining affairs were out on the street.  No more party. No more lavish dinners. The 9-course banquet every night was dead -along with the guy who paid for it. Bereft and unemployed, the best of the chefs came up with a very radical idea.  Why not cook fantastic meals for....the peasantry. Or at least the aspiring bourgeois? This was an almost unthinkable idea. Soil you hands preparing fine foods for the peasants? Would they even know what you were offering them? Would they pay for it? But a few took a shot. They started an entirely new concept in France, and later the rest of the world- The Restaurant. It worked. Prior to 1789 there had been inns that served grub, but no fine dining. After 1789 the world of eating (for us peasants) would never be the same. Now we come to PF Bentley, and people like him. While any idiot can operate a video camera, any idiot can make an omelette Then there are the Jean Georges and the PF Bentleys. In an earlier era, Jean Georges Vongerichten or Alain Ducasse might have been employed by a noble family.  PF Bentley might have been employed by a Time Magazine. Both the nobles and Time Magazine have lost their heads. Jean Georges found a very lucrative living selling his skills to the general public packages as a restaurant. I am wondering of the most talented, like PF Bentley might not find their fortune selling their very impressive skills to the bourgeois as well. While any idiot can operate a video camera, I am wondering if there isn't a market for a kind of fine arts in the world -personal documentaries ? As video becomes more and more ubiquitous, I am wondering if the rich and near-rich wouldn't spend a lot for "home videos" that are closer to feature films. You think it's crazy? So too did the unemployed chefs of 1789. I am not so sure.

  Thirteen is still an unlucky number… Full disclosure: My very first job in TV was with PBS at Channel 13. That would be WNET/13, the PBS station in New York. I was a production assistant on a public affairs show out of Newark, New Jersey. So I have a certain affection for WNET/13 and Public Television. And for many years I sent them checks during the begathons and got the umbrellas and the tote bags and the mugs.  Lots of umbrellas But no more. No more. Not another dime. Yester

Joe Peyronin, former President Fox News now at NYU Well, this just goes to show you that if you wait long enough, anything can happen. Like the case of Joe Peyronin. He used to be the President of Fox News, when the network was just getting started. He was, in fact, the first President of Fox News.  I knew him before that, when he was running CBS News' Washington Bureau. I was just starting VNI with 102 VJs around the world, mostly NPR Radio journalists now with video cameras. What a great opp